Since I finished them, by definition all the included books have merit to my mind (I would have abandoned them otherwise), and I very highly recommend almost all of them. Indeed I have found the quality of writing, depth of insight, originality of ideas, and degree of empathy, inspiration and exhilaration provided by this set of titles frequently quite breathtaking. A number come with their own particular challenges of course, whether of style or content, but that is always part of the deal – if you the reader are not up for that then recognise you may be shutting off a key avenue for the development of your personal understanding, ideas and appreciation.
I only found three titles genuinely problematic, Joyce and Mieville were heavy going for considerable periods, the former also wearingly self-indulgent for spells, and Nabokov’s Lolita comes with a pile of deeply uncomfortable issues that individual readers will need to decide if they wish to engage with. The difficulty I had with the latter book is reflected in the fact that I had to put it aside for nine months while part way through, before returning to complete it last summer, and I recognise that I may have to steel myself for a re-read at some point to try and comprehend why it is held up by many (but certainly not all) to be a great novel – currently I don’t entirely see it.
Everyone comes to a particular book from their own unique situation, with consequent personal baggage and perspective, so draw what you will from the following titles. Many helpful reviews are available online, I particularly recommend those on the Guardian website at www.theguardian.com/books . In an act of gross oversimplification, and at the risk of being a little crass, I have also given each title a rating to roughly indicate what I personally got, that was positive, from each:
π π π π π Truly Special/Exceptional
π π π π Very Good and deeply rewarding
π π π Middling to Good, competent and worthwhile but not special
π π Poor/Disappointing, borderline whether I finished it
π Dreadful, by definition not finished and hence doesn't appear
January & February
Bleak House – Charles Dickens π π π π π
Autumn – Ali Smith π π π π
The New York Trilogy – Paul Auster π π π π π
The Lonely City – Olivia Laing π π π π
Men Explain Things to Me – Rebecca Solnit π π π π
March & April
A Portrait of the Artist as a Young Man – James Joyce π π
To the River – Olivia Laing π π π π
Love of Country – Madeleine Bunting π π π
Golden Hill – Francis Spufford π π π π
Beloved – Toni Morrison π π π π π
Selected Poems – Emily Dickinson π π π π π
May & June
Riddley Walker – Russell Hoban π π π π π
Lord of the Flies – William Golding π π π π
The Bricks that Built the Houses – Kate Tempest π π π π
Blood Meridian – Cormac McCarthy π π π π
Falling Awake - Alice Oswald π π π π π
July & August
David Jones: Engraver, Soldier, Painter,
Poet – Thomas Dilworth π π π π
Lolita – Vladimir Nabokov π π π
My Cousin Rachel – Daphne Du Maurier π π π π
Empire of the Sun – J G Ballard π π π π π
No is Not Enough – Naomi Klein π π π π
The Unaccompanied – Simon Armitage π π π π
September & October
The
Rehearsal – Eleanor Catton π π π π
Clay
– Melissa Harrison π π π π
A
Life of Walter Scott – A N Wilson π π π
The
Great War and Modern Memory – Paul Fussell π π π π
October
– China Mieville π π π
In
the Cairngorms – Nan Shepherd π π π
November & December
Bending Adversity, Japan and the Art of Survival – David
Pilling π π π π
Silence, in the Age of Noise – Erling Kagge π π π
Waverley – Walter Scott π π π π π
The Spy Who Came in from the Cold – John Le Carre π π π π
La Belle Sauvage - Philip Pullman π π π πSee Also: A Year of Reading - In Pictures (2016)
Favourite Listening of 2017
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