Tuesday, 2 January 2018

Another Year of Reading - In Pictures

Following the popularity of last year’s post, here again is a pictorial record of my reading from the previous twelve months, to hopefully inspire and motivate your own reading choices. This time it comprises a photograph taken every two months, of the books completed in the preceding period.

Since I finished them, by definition all the included books have merit to my mind (I would have abandoned them otherwise), and I very highly recommend almost all of them. Indeed I have found the quality of writing, depth of insight, originality of ideas, and degree of empathy, inspiration and exhilaration provided by this set of titles frequently quite breathtaking. A number come with their own particular challenges of course, whether of style or content, but that is always part of the deal – if you the reader are not up for that then recognise you may be shutting off a key avenue for the development of your personal understanding, ideas and appreciation.

I only found three titles genuinely problematic, Joyce and Mieville were heavy going for considerable periods, the former also wearingly self-indulgent for spells, and Nabokov’s Lolita comes with a pile of deeply uncomfortable issues that individual readers will need to decide if they wish to engage with. The difficulty I had with the latter book is reflected in the fact that I had to put it aside for nine months while part way through, before returning to complete it last summer, and I recognise that I may have to steel myself for a re-read at some point to try and comprehend why it is held up by many (but certainly not all) to be a great novel – currently I don’t entirely see it.

Everyone comes to a particular book from their own unique situation, with consequent personal baggage and perspective, so draw what you will from the following titles. Many helpful reviews are available online, I particularly recommend those on the Guardian website at www.theguardian.com/books . In an act of gross oversimplification, and at the risk of being a little crass, I have also given each title a rating to roughly indicate what I personally got, that was positive, from each:

 πŸ“– πŸ“– πŸ“– πŸ“– πŸ“–          Truly Special/Exceptional
 πŸ“– πŸ“– πŸ“– πŸ“–               Very Good and deeply rewarding
 πŸ“– πŸ“– πŸ“–                    Middling to Good, competent and worthwhile but not special
 πŸ“– πŸ“–                         Poor/Disappointing, borderline whether I finished it
 πŸ“–                             Dreadful, by definition not finished and hence doesn't appear
 

January & February


 

Bleak House – Charles Dickens   πŸ“– πŸ“– πŸ“– πŸ“– πŸ“–
Autumn – Ali Smith   πŸ“– πŸ“– πŸ“– πŸ“–
The New York Trilogy – Paul Auster   πŸ“– πŸ“– πŸ“– πŸ“– πŸ“–
The Lonely City – Olivia Laing  πŸ“– πŸ“– πŸ“– πŸ“–
Men Explain Things to Me – Rebecca Solnit   πŸ“– πŸ“– πŸ“– πŸ“–

 

March & April


 

A Portrait of the Artist as a Young Man – James Joyce  πŸ“– πŸ“–
To the River – Olivia Laing  πŸ“– πŸ“– πŸ“– πŸ“–
Love of Country – Madeleine Bunting   πŸ“– πŸ“– πŸ“–
Golden Hill – Francis Spufford  πŸ“– πŸ“– πŸ“– πŸ“–
Beloved – Toni Morrison  πŸ“– πŸ“– πŸ“– πŸ“– πŸ“–
Selected Poems – Emily Dickinson  πŸ“– πŸ“– πŸ“– πŸ“– πŸ“–


 

May & June



 
The Balloonist – MacDonald Harris   πŸ“– πŸ“– πŸ“– πŸ“– 

Riddley Walker – Russell Hoban   πŸ“– πŸ“– πŸ“– πŸ“– πŸ“–

Lord of the Flies – William Golding   πŸ“– πŸ“– πŸ“– πŸ“–

The Bricks that Built the Houses – Kate Tempest   πŸ“– πŸ“– πŸ“– πŸ“–

Blood Meridian – Cormac McCarthy   πŸ“– πŸ“– πŸ“– πŸ“–

Falling Awake - Alice Oswald   πŸ“– πŸ“– πŸ“– πŸ“– πŸ“–

ll account of his final racing season which still leaves him and his readers well in love with cycling and its wonderful culture.
And finally an antidote to all the worlds current frenetic madness, in a fine compilation of the beautiful writings of the under appreciated late Welsh naturalist William Condry. There are times when you need a book like this, found hiding in a shop in Aberystwyth.



July & August



David Jones: Engraver, Soldier, Painter, Poet – Thomas Dilworth   πŸ“– πŸ“– πŸ“– πŸ“–
Lolita – Vladimir Nabokov   πŸ“– πŸ“– πŸ“–
My Cousin Rachel – Daphne Du Maurier   πŸ“– πŸ“– πŸ“– πŸ“–
Empire of the Sun – J G Ballard   πŸ“– πŸ“– πŸ“– πŸ“– πŸ“–
No is Not Enough – Naomi Klein   πŸ“– πŸ“– πŸ“– πŸ“–
The Unaccompanied – Simon Armitage   πŸ“– πŸ“– πŸ“– πŸ“–

e just out!).
And Iain Sinclair manages to beautifully and gently expand your mind in his unique mysterious way as he eruditely ambles through his childhood haunts on the Gower, embracing creative connections at every turn (Dylan Thomas, Vernon Watkins, Ceri Richards...).
In stark contrast is Philip Dick's sixties sci-fi masterpiece, or should that simply be alternative history since it describes a post-war America run by the Japanese and Germans who had won. Either way it disorientatingly focuses on a few ordinary lives and small scale events, with an emerging considerable and odd emphasis on Chinese philosophy that develops an unsettling power and a climax strangely reminiscent of 2001. A very sixties example of the drug-fuelled creative process, which certainly stays with you afterwards and keeps you pondering...

 

September & October



 
The Rehearsal – Eleanor Catton   πŸ“– πŸ“– πŸ“– πŸ“–
Clay – Melissa Harrison  πŸ“– πŸ“– πŸ“– πŸ“–
A Life of Walter Scott – A N Wilson   πŸ“– πŸ“– πŸ“–
The Great War and Modern Memory – Paul Fussell   πŸ“– πŸ“– πŸ“– πŸ“–
October – China Mieville   πŸ“– πŸ“– πŸ“–
In the Cairngorms – Nan Shepherd   πŸ“– πŸ“– πŸ“–


 

I then wended my way out of the city on the Thames, courtesy of Rachel Lichtenstein’s atmospheric homage to the Estuary of her books title and her home. A passionate and compelling capture of another marginal place, of land and water, made particularly real through the lives of many of its fascinating current occupants, often in conversation; a genuine treat. It also contains a number of superb quotes from Joseph Conrad that neatly reminded me of the book I had to read next.It is a special pleasure when a book you start in the hope it will be merely good, rapidly blows your mind. Magnificent is the only word for Conrad’s The Mirror of the Sea. It is rare in simply setting out to provide the reader the sense of being at sea in a sailing ship at the end of the nineteenth century, without any single underlying adventure tale or narrative. It’s the only non-fiction by Conrad and is underpinned by the experience and knowledge of twenty years at sea working his way up to captain, and the intellect and sheer writing prowess of one of the greatest authors of all time. Every sentence counts for something, and the wonder, fear, psychology, atmosphere and complexity of every aspect of sailing is covered along with an astonishing level of observation and insight of human nature and the human condition. A captivating read and true classic. There is also a beautiful chapter on the Thames estuary, making for the smoothest of transitions from Lichtenstein’s workNovember & December



 
Bending Adversity, Japan and the Art of Survival – David Pilling   πŸ“– πŸ“– πŸ“– πŸ“–
Silence, in the Age of Noise – Erling Kagge   πŸ“– πŸ“– πŸ“–
Waverley – Walter Scott   πŸ“– πŸ“– πŸ“– πŸ“– πŸ“–
The Spy Who Came in from the Cold – John Le Carre   πŸ“– πŸ“– πŸ“– πŸ“–
La Belle Sauvage - Philip Pullman   πŸ“– πŸ“– πŸ“– πŸ“–
 


See Also:  A Year of Reading - In Pictures (2016)
                 Favourite Listening of 2017

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